Alice Woo Hwa McCool

Alice Woo Hwa McCoolAlice Woo Hwa McCoolAlice Woo Hwa McCool

Alice Woo Hwa McCool

Alice Woo Hwa McCoolAlice Woo Hwa McCoolAlice Woo Hwa McCool
  • Home
  • Work
    • Friend/free (to love)
    • A little with the head
    • Other together
    • debut
    • Loose ends
    • Body Work
  • About
    • CV
    • Bio
  • More
    • Home
    • Work
      • Friend/free (to love)
      • A little with the head
      • Other together
      • debut
      • Loose ends
      • Body Work
    • About
      • CV
      • Bio
  • Home
  • Work
    • Friend/free (to love)
    • A little with the head
    • Other together
    • debut
    • Loose ends
    • Body Work
  • About
    • CV
    • Bio

Dominic Guerrera, 2025, kawanta, 35mm infrared film photograph print

Yusuf Ali Hayat, 2025, Hangin’ out the passenger side…, vinyl print on mirror

Hen Vaughan and Georgia Oatley, 2025, Chatelaine (body circuit), found and shared objects

Hen Vaughan and Georgia Oatley, 2025, Voice tracings, 2-channel sound recording, poem transcript on vinyl lettering

Astrid Lorange and Andrew Brooks (Snack Syndicate), 2025, reading and writing, print on cotton rag paper

Astrid Lorange and Andrew Brooks (Snack Syndicate), 2025, reading and writing, print on cotton rag paper

Sanja Grozdanić and Jelena Luise, 2025, Monument to Diplomatic Language, 07:44 min, single channel, 4K UHD video with sound

Sanja Grozdanić and Jelena Luise, 2025, Monument to Diplomatic Language, 07:44 min, single channel, 4K UHD video with sound

 Installation view. ‘Friend/free (to love)’, exhibition at Bus Projects, 2025

 Installation view. ‘Friend/free (to love)’, exhibition at Bus Projects, 2025

Friend/free (to love)

10 September - 18 October 2025

Curated by Alice McCool and Ena Grozdanić

Bus Projects, Melbourne VIC


In English, ‘friend’ and ‘free’ share the same root: frēon, meaning ‘to love.’ This shared etymology is expressed in friendship as an open and ongoing encounter that is inherently anarchic and exists outside of property relations: friendship is an affinity not tethered to bloodlines or sexual affiliations. It is a way of being free from the logics of possession, a framework for sharing, extending, co-constituting.


‘Friend/free (to love)’ brings together eight artistic comrades to ask: how do works created by friends speak to one another? Can friendship trouble the connection between art and property? Can friends redefine and renegotiate conventions of aesthetic autonomy through the process of reciprocal creative labour? 


To think about friendship as a framework for analysis is to make a demand towards the future: it is to enunciate the desirable conditions that friendship produces and how these conditions can activate the cracks in the established order. What is it about friendship that can free us, and why are both words acts of love?


‘Friend / free (to love)’ is curated by Alice McCool and Ena Grozdanić. It features the work of Yusuf Ali Hayat and Dominic Guerrera, Astrid Lorange and Andrew Brooks (Snack Syndicate), Sanja Grozdanić and Jelena Luise, and Hen Vaughan and Georgia Oatley.



Images credit: Installation view. ‘Friend/free (to love)’, exhibition at Bus Projects, 2025. Photography by Sebastian Kainey.

Sometimes I start the car just to spin the wheels,

but now we’re really driving. The accident 

of our meeting. Mouth round like an o

as tho to feign surprise

that gravity brought us together 

when really I don’t know how it happened 

we speak each other’s language, but the miracle 

is learning how to talk. 


Mouth round like an orange.

Tonight you arrive pointing to the moon


We share the same sky 

but you have to wake up to see it.

The wild tulips require more effort.


Take a piece of string and pull it tightly 

across the surface of the orange. 


I take the way it segments 

as a token of your affection

and eat the pith.


The ball has zero spin

We were never good 

at playing team sports. 

I mirror your steps without intending to,

before intending to. Throwing our shoulders into it

and soon we’ve traced a circle around ourselves.

They’re playing the song everyone wants to hear

just for us 

and we keep stepping 

like the horizon goes in every direction. 


The scratched discs on the car floor

where did they go? 


You probably know how difficult it is 

to identify the different types of peaches


You need to go further out 

If you can’t see the moon 


I pass you the baseball glove

run further back, you say 


I know you are there 

in that single location


We move around each other, 

rotating at a rate that matches the revolution


Thomas McCammon & 

Alex Sutcliffe 

This exhibition is supported by the Independent Arts Foundation.

Copyright © 2025 Alice Woo Hwa McCool - All Rights Reserved.